God is in the detail: Clues, Quotations, Objects and Memory

The working group on mapping diasporas is concluding its series of monthly meetings for the Spring Semester.

Meetings continued to involve the exploration of theoretical issues, collaborative collection research  (based on the holdings of The Magnes Collection of Jewish Art and Life), and the critical examination of digital tools and platforms.

The third and last meeting of the semester will focus on a presentation by Francesco Spagnolo, who will illustrate the plan for a new course on Mapping Diasporas, which will be offered in the Fall of 2016 by the Department of Theater, Dance, and Performance Studies at the University of California, Berkeley. The course will combine the critical examination (and application) of digital tools to the study of diasporas through material culture.

The focus on objects emerged in the analysis of the quotations that open the chapter, “Clues: Roots of an Evidential Paradigm,” of Carlo Ginzburg’s, Clues, Myths and the Historical Method, Johns Hopkins University Press, Baltimore, 1989, p. 96.
Carlo Ginzburg, Clues: Opening Quotations

God is in the detail. A. Warburg
Attributed to Aby Warburg


An object which speaks of the loss, of the destruction, of the
disappearance of objects. It does not speak of itself. It speaks of others. Will it also include them? J. Johns
Attributed to Jasper Johns via John Cage’s Jasper Johns: Stories and Ideas, included in A Year from Monday: New Lectures and Writings, 1969. 

One can also listen to John Cage’s reading of Jasper Johns: Stories and Ideas on the Internet Archive:

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